Showing posts with label KORA AWARDS 2010. Show all posts
Showing posts with label KORA AWARDS 2010. Show all posts

Wednesday, June 30, 2010

‘I Dress According To My Mood’ – SASHA

SASHA P

Miss Anthonia Yetunde Alabi who we all know as Sash is the First Lady of Storm Records. Her first album, also entitled, First Lady entrenched her into discerning Nigerian musical minds as a gifted rapper.
In this chat she took time out to address some general and personal issues ranging from music, fashion and style and her personal relationship with other artists...

What are you up to at the moment?
I am currently working on my second album which should be out by the last quarter of the year. I am not giving out dates yet.
What are you titling it, Second Lady?
(Laughs) No, never! I am the second to none. But I have a working title, but that may change anytime I have a theme I am working on. It is about a woman’s life in Lagos and the different experiences she passes through in her daily life. I am putting work together based on that concept and when everything is complete a title would definitely pop out.
How many tracks are you thinking about?
You know a standard album is about 14 tracks and my last album had 13, so you never know I am not restricting myself to any number. I will keep recording songs and continue picking the ones that fit into what I am trying to do. Whatever number I finally come up with, I will work with it.
Which producers are you working with?
I have worked with Tee Y Mix, a new producer who is absolutely amazing name icon, Frenzy and I did a couple of collabos with the Mozambican hip hop star, Dama Do Bling. She was around in March, and we did the song then. On my birthday, May 21, I went into the studio and recorded Gidi Babe. It is a song that still deals on Lagos life. You know Gidi means Lagos and I am a real Gidi babe so, I used the song to talk about how and how not real Gidi Babe should be. I was also recently in South Africa for the opening of ThisDay Music and Fashion Festival. I also used the opportunity to do a remix of one of my songs, Making Money, and also shoot the video.
What do you think is the position of the female artiste in the current structure of things in Nigeria?
The men usually own every turf you try to play but we are giving them a run for their money now. In the past one year, women have started proving themselves and have become more visible. A lot of women are also coming up too. But the truth is that there are a lot of things we can do and got away with but women are more restricted but I will always believe that if you do quality music, you can never be ignored whether you are male or female. Just look at Asa, her music speaks for her. Women are not really at a disadvantage, but it takes a little bit more for a woman to be recognized than the men.
How many awards have you won so far?
I won the Women in Entertainment Award sometime ago and have been nominated in a lot of categories of different awards but I think the recognition is more important. If I say I don’t feel bad when I don’t win an award, I will be lying but I think it is important to put into perspective the reason that I am doing this and the reason is to make a difference in my generation. I want to be someone that in ten years time, when you talk about my generation, you will mention my name because I am not just there to come and sing, dance and go. Awards are testaments of one’s efforts. Awards are just an icing on the cake.
How do you make your fashion choices?
I am a very eclectic person which is why fashion label is called Eclectic by Sasha. I go with how I am feeling, It is a jumble of everything. I wear what fits me whether it is in vogue or not. I stick to wearing whatever makes me feel comfortable. I make a lot of my clothes. Sometimes, I buy and I just sew them together. So, if you see me in anything and I am outside wearing it, just know that I am comfortable wearing it, comfort is what determines my fashion choices.
You are one of the very decently dressed female artistes in Nigeria, what do you think about the amount of body exposure in most of our music videos?
That has been happening for years now but I think the defining factor is being set apart and knowing who you are. I don’t think I need to unnecessarily and indecently expose any part of my body for anybody to like my music. People have different orientations and that I am not that kind of person does not mean that I am going to knock anybody for it but it is my opinion. I simply believe that a woman needs to always show a certain amount of decency in her dressing.
What’s your creative mode while composing your music?
A lot of the times when I write, I am usually pushed by a particular issue or experience. I usually write with a theme in mind but sometimes I could just go into the studio and make a beat with a producer and make music with it. Sometimes I write in my house but you can’t really put it in a box or give it a formular. It just comes.
But you influence your beats?
Yes, but it is not all them. I usually have an opinion about what I want and when working with a producer, I let him know them. But sometimes, you find out that a producer has taken care of whatever you are thinking and that reflects in the beats he has for you. Sometimes you write according to the beats you have. A beat could inspire a song.
Who are your closest friends in the industry at the moment?
I really like to keep my personal life private but at Storm Records, we are a family.
What about your love life, who is your man?
I won’t tell you that either.
But which kind of man attract you, what kind of man can you fall for?
My man has to be tall because I am a tall woman. He has to be taller than I am. I wear high heel shoes, so he has to be taller than those as well. He has to be good looking. I have to find him attractive. He has to be God-fearing and very confident. For the kind of woman I am, a man has to be able to hold his own. So, definitely he has to be a kind of man I am look up to and learn from. He also needs to have a very good sense of humour.
You are signed on to Storm Records which is one of the biggest labels in Nigeria, could you please the position of a record label to the artistes?
The label is the guarantor of the artiste. They are the ones to protect the rights of the artistes. They are an artiste’s family unit and are in charge of the distribution, publicity and image of the artiste. The label at times is the executive producers of the artiste’s works. It is a partnership business and there are different dimension to it.
Who are the artistes on Storm Records at the moment?
They are Naeto C, Sauce Kid, Tosin Martins, GT, The Guitarman General Pype, YQ and myself. We also have some other people we are partnering with.
What major challenges have you faced so far in your career?
It is not necessarily a challenge but of most importance to me is the need to be consistent. Consistency is not just a matter of releasing an album every six months but it is important to be a functioning artiste. Even when I don’t have a new album out, I am busy and working all the time. Io work hard at what I do and I enjoy doing what I do. I can’t be the same person everyday. I have to keep improving everyday. Making hits is not just the challenge, but remaining at the top of your game is the most important thing.
When did you decide to become an artiste?
I never really decided it just sort of happened. Being a professional artiste sort of fell into my lap. I just started school and met Eldee through a friend of mine. I used to rap for fun and my friend who knew him gave me his number and I called him. He asked me to come over to the studio. I went with a couple of my friends. Eldee asked me to freestyle but I told him I don’t freestyle but I could free write. He asked me what that was and I told him I could write as fast he could think if I had a beat. He played a beat and I wrote something and rapped it for him. In less than two weeks, I had a record contract with Trybe Records. That was in 2002. It was a very beautiful experience because I was going to shows and traveling with the Trybesmen.
Why did you leave Trybe Records?
My contract with them expired and Eldee travelled out of the country. Storm Record offered me a contract and here I am today.
Your first album entitled, First Lady and Eve, is the first lady of the Ruff Ryders, does she influence you?
I wouldn’t say that now but I grew up listening to a lot of artistes and a lot of them influenced me. Most of the female rappers at the time of my development influenced me. I am a fan of Eve and when I met her I cried. I can truly say that hen I met Eve was the first time I was ever star struck in my life.
So, how did the title of your album, First Lady come about?
It was Obi Asika that came up with the title. We were deliberating on the title to give the album when he came up with First Lady. And I have been the first lady in many places when I was rapping with my family friends, I was the only female, when I was with Trybe Records, I was the only female and at Storm Records, I was also the first ever female hip hop artiste to be nominated at the KORA. The title of the album also came from the theme of the album. I was trying to create a good female image that other women could identify with, a woman of substance. And when you think of such a woman, she should naturally be the first lady.
Apart from music, what other things do you enjoy doing?
I love writing. I write for Hip Hop World and I have been doing that for four years now. I love reading but these days, it is almost limited to magazines because of my fashion interests. But I love books a lot and I have a mini-library of my book collections. I also love shopping.
What about your legal career, are you ever going to practice Law?
I studied Law because I wanted to have a voice to speak out. I wanted to command respect but I am doing both with music, but Law is still part of me.

Saturday, April 17, 2010

AT THIS YEAR'S KORA AFRICA MUSIC AWARDS

P. SQUARE
Sunday, April 4, 2010 was another memorable day in the Nigerian music industry as P. Square and King Wadada were crowed the African Artist of the Year and Best African Reggae Artist at the KORA All Africa Music Awards in Ouagadougou, Burkina Faso. They beat Black Diamond, a group from Senegal, Paul G from Angola and Amety Meria of Burkina Faso to the KORA plaque and $1 Million cash prize while King Wadada won in the category of the Best Reggae Artist in Africa with his album, If Men Were God, which was released in 2005.

The award was attended by more than 3,000 people, including President Blaise Compaore of Burkina Faso. P. Square was not present at the ceremony because they were on tour in London. President Compaore received the award on their behalf and a private jet was afterwards dispatched by the event organizers to London, to pick them and their band to Burkina Faso. They arrived on Monday, April 5, 2010 and President Compaore re-presented the award to them at the Presidential Villa. P. Square and the other winners, including King Wadada, then performed to the elated Burkina Faso audience at a free show held at the City Stadium in Ouagadougou. Senegalese-American Hip Hop star, Akon, who was billed to headline the show didn't show up, even after being offered $150,000 and a private jet by the organizers.

Immediately afterwards, they set out for Nigeria. The organizers of the awards once again provided a private jet for the Nigerian artists up to Benin Republic because there was no direct flight from Burkina Faso to Nigeria. From there, they were driven back to their houses in Nigeria with a military-escorted convoy. Speaking to Notes and Tones on their arrival, a very happy P. Square said: “We are dedicating this award to God, our fans all over the world and everybody who has supported us all along.” They also stated that they did not hear anything about the call to boycott KORA and were just grateful to God for winning the prize and His blessings.
KING WADADA
King Wadada paid a visit to our office with his award. He told us that he got his invitation to attend the award ceremony, but that they requested him to sponsor himself to Ouagadougou which he did. The organizers then took care of his accommodation and welfare. “We were well treated in Burkina Faso. They lodged us in the best hotel in the city, the Azalai Hotel,” King Wadada revealed happily. “I am so happy to have won this award and I told them so while collecting my plaque. I told them that KORA is great, but that God is greater. Immediately I said that, the President of Burkina Faso stood up and everyone gave me a standing ovation. The President invited me to the Presidential Villa the next day and we all had a good time when P. Square arrived from London.”

The KORA president, Ernest Adjovi, according to King Wadada, promised to visit Nigeria in the coming weeks to present the prize money to the winners during a press conference.

However, there were mixed tales from most of the other Nigerian nominees we contacted. The duo of Rooftop MCs who were nominated in the Best African Artist category said they didn't hear of the recent developments. As at Friday, April 9, when we called them, they claimed ignorance of the fact that KORA awards had held.

Banky W admitted that he heard about the ceremony and duly received an invitation to also sponsor himself to Ouagadougou, but he had seen a publication which mandated all Nigerian artists to boycott the event and didn't want to be caught up in any controversy.

Gospel artist, Nikki Laoye, who was nominated in two categories also didn't know what was going on with the awards. “As usual, I had looked forward to the award ceremony but as the days went by and nothing happened, I gave up and concentrated on other issues.” She didn't get any invitation to the event and also didn't even know the winners when we called her on Friday, April 9, 2010.

Blackky was also of the same view. He received his invitation to the awards, but had a lot of misgivings. “I had a lot of questions I wanted to ask about the awards. Nigeria was not carried and many Nigerians didn't even know the event was going to hold. They had voted in 2008 when the nominees’ list came out but didn't know what was going on all along. I knew the organizers of the awards had issues with the Cross River and Lagos State Governments and didn't want to be involved in it.”

The KORA All Africa Music Awards 2010 was backdated to reflect the works of artists that had been submitted before the awards became embroiled in controversy over its hosting. The awards ceremony which was initially billed to hold in Calabar, Cross Rivers State, was curiously moved to Lagos and finally to Ouagadougou, Burkina Faso. This was after its CEO, Mr. Ernest Coovi Adjovi, had allegedly collected $2.5 million and $5million from the Cross River and Lagos State Governments respectively. This caused a huge rift between the organizers and the aforementioned states, forcing the Nigerian Music Coalition and the KORA office in Nigeria, managed by Zmirage, to issue a statement calling for its boycott: “The Nigerian KORA office is calling for a mass boycott of the 2010 event by all artists (nominated or not), managers, label executives, jurors, presenters, media reps, reporters and government officials. The KORA office, in association with relevant organizations like NARI, PMAN, AM.B-Pro, MORAN, etc (under the aegis of the Nigerian Music Industry Coalition) shall work to ensure that Nigerian stakeholders who refuse to heed the call by legitimizing the Ouagadougou event with their presence be exempted from any project executed by these organizations and the governments of Lagos and Cross River states.”

A representative of Zmirage who craved anonymity told us that the position of the company has not changed, but that there was no official word yet since the Nigerian stakeholders had not yet sat on it. But Mr. Efe Omoregbe, who spoke for the Nigerian Music Coalition, reaffirmed that stance. “The Nigerian KORA office came up with the stance and we supported it based on the fact that there were court proceedings still going on and we felt that it would not be nice for a Nigerian contingent to validate the event with their presence.” He also reiterated that they had not yet deliberated on it and that there is no official word from the KORA office yet.